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Thursday, August 26, 2010
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Monday, July 26, 2010
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Wednesday, July 21, 2010
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Wednesday, July 14, 2010
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Tuesday, July 6, 2010
September 2009
Lance - Time Travel? Picasa face recognition just ID'd the grandpa dressed as Captain Kirk at Dragon*Con as me. To future me: I have received your message, and will try harder to have a life.
- Time Travel? Picasa face recognition just ID’d the grandpa dressed as Captain Kirk at Dragon*Con as me. To future me: I have received your message, and will try harder to have a life.
All the People and All
As I write this, Google is busily going through my hard drives using face recognitions software to tag the hundreds of people in my thousands of photos. Despite the fact that I have no idea what I’ll do with this trove of metadata, I am somehow nonetheless certain that it will give me great power.
Unrelated: who are the background people in your dreams? I’ve always figured that the supporting cast members in my dreams are some combination of (a) random synapse firings triggering the models I keep handy for the people with whom I deal in real life and (b) manifestations of my own subconscious. But what about the extras? Can either of explanations work for the crowds in a dream mall, or the other passengers on a dream bus? Do I maintain “bus crowd” and “mall crowd” models to help me predict and cope with the behaviors of faceless masses? Cool.
Unrelated: check out this wicked cool picture of one of my favorite tunnels in Atlanta (there aren’t many, but I think this would be my favorite even if there were a lot of tunnels in Atlanta). A result of the recent heavy rains:

Lance - my firm scored at 95% on the Human Rights Campaign's LGBT Corporate Equality Index (failing only the metric for diversity training covering gender identity or supportive gender transition guidelines). Nice work, KS.
- my firm scored at 95% on the Human Rights Campaign’s LGBT Corporate Equality Index (failing only the metric for diversity training covering gender identity or supportive gender transition guidelines). Nice work, KS.
All a Father Could Want
(Updated; see below.)
Yesterday we were riding in the car and listening to the Winstons’ “Amen Brother”. When we reached the amen break (the five seconds of solo drums that are perhaps the most-sampled waveform of all time), you said “that has the Powerpuff song in it!” Your comment came from out of nowhere, but, indeed, the Powerpuff Girls theme song relies heavily on the amen break.
This kid better watch out:
UPDATE: In case you aren’t familiar with the Powerpuff Girls, here’s the show’s intro (featuring the amen break, sped up to tempo):
Lance - who is this Darby, and what has she done with Christopher Robin? Owl and gopher are smart enough to have been asking these questions, but they disappeared about the time Darby showed up. Coincidence? Free the Hundred Acre Two!
- who is this Darby, and what has she done with Christopher Robin? Owl and gopher are smart enough to have been asking these questions, but they disappeared about the time Darby showed up. Coincidence? Free the Hundred Acre Two!
Lance - off to Kroger for some pediatric Robitussin.
- off to Kroger for some pediatric Robitussin.
See original:
Lance - off to Kroger for some pediatric Robitussin.
Spellbound
‘Well, it was a quite shocking, I must say — there was blood everywhere!’ Alfred Hitchcock began suddenly from the rear of the elevator. We were in the New York St. Regis Hotel, heading down to the lobby. There was as light flush to his cheeks from the several frozen dauquiris he had just drunk in his suite. The elevator had just stopped and three people dressed for the evening had joined us, and immediately Mr. Hitchcock had started to speak, sounding as though he were in midsentence and projecting in that careful and familiar TV tone of his.
He went on, ‘There was as stream of blood coming from his ear and another from his mouth.’ The people had recognized him immediately, but now they seemed purposely to avoid looking at him. He went right on, gazing beatifically ahead of him as the elevator stopped again and another well-dressed couple came aboard: ‘Of course, there was a huge pool of blood on the floor and his clothes were spattered with it — Oh, it was a horrible mess.’
No one on the elevator, it seemed, was breathing. ‘Blood all around! Well, I looked at the poor man and and I said, “Good God, what happened to you?”‘ At that point the elevator doors opened onto the lobby, and Hitchcock said, ‘Do you know what he told me?’ and then paused. After a moment, and quite reluctantly, the other passengers moved out of the elevator and then looked back at the director as we walked away.
After several foggy moments, I asked, ‘Well, what did he say?’ and Hitchcock smiled benevolently, taking my arm, and said, ‘Oh, nothing — that’s just my elevator story.’
– Peter Bogdonavich, Who the Devil Made It, 1997
See original:
Spellbound
Lance - the fact that "the Matrix" is more commonly-referenced pop culture landmark than "Crouching Tiger Hidden Dragon" just goes to show how wrong everybody can be about everything.
- the fact that “the Matrix” is more commonly-referenced pop culture landmark than “Crouching Tiger Hidden Dragon” just goes to show how wrong everybody can be about everything.
Musical Alphabet: E (Enon and the Bunnymen feat. Cesária Ellington Edition)
So “E” is the first section of my library not dominated by a few big players, which means that I had to spend a few minutes digging a little deeper. I ended up not being able to decide, so here are songs that represent the four pillars of a 30-something yuppie’s music collection. The tracks themselves are from from Echo and the Bunnymen, Duke Ellington, Enon and Cesária Évora. Enjoy some or all of them!
Pillar: Nostalgia Pop
“Don’t call them oldies.”
Pillar: Erudition
“Don’t worry — I like it, so it’s not pretentious.”
Pillar: Indie Pop
“Yeah, you know, I’m down and stuff. With the scene.”
Pillar: Multiculturalism
“You don’t have to actually travel to sound like a world citizen.”
Wiretap Is Awesome
Jonathan Goldstein is a frequent contributor to This American Life, and he does a show on the CBC called Wiretap. I ran across an archive of his shows (via) and have been listening for the past few days. This is my kind of humor. It’s like a solid half hour of the kind of stuff that I think of that cracks me up privately, but which I only share with a few people who I expect to understand.
My favorite segments are the chats with Gregor Ehrlich, who plays Goldstein’s missing Id. These are like conversations between Ira Glass and Master Shake. Here’s one about dreams (and how to have them).
So Wiretap. Also, there’s now an RSS feed, so the show can magically appear on my Blackberry weekly.
